ŽÄ“c•q—Y@Toshio Shibata
“Œ‹ž“s¶B”ʼnæ‚ðŠw‚ÑA1975”N‚Ƀxƒ‹ƒM[‘•¶•”Ȃ̧Šw‹à‚Å—¯ŠwBƒQƒ“ƒg‚̉¤—§ƒAƒJƒfƒ~[‚ÅŽÊ^‚Éo‰ï‚¢A‹A‘ŒãA1980”N ‚©‚ç•—ŒiŽÊ^‚ðŽB‚èŽn‚ß‚éB79”N‰‚̌“Wu“~‚̃ˆ[ƒƒbƒpviƒjƒRƒ“EƒTƒƒ“jˆÈ~Aƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“‚ð’†S‚Ɍ“W‚ð¸—Í“I‚ÉŠJ·‚éB'89”N‚ÉŽRŠÔ•”‚̃Rƒ“ƒNƒŠ[ƒg‚Ì—i•ǂ⎡…‚³‚ꂽì‚ȂǂÌlH“IŒš‘¢•¨‚ð‘åŒ^ƒJƒƒ‰‚ÅŽB‰e‚µ‚½u“ú–{“TŒ^v‚Å‚‚¢•]‰¿‚𓾂ÄA‘æ17‰ñ–Ø‘ºˆÉ•º‰qŽÊ^Üi1992jŽóÜBŽÄ“c‚ª‘¨‚¦‚é•—ŒiŽÊ^‚ÍAƒAƒƒŠƒJ‚ð’†S‚Æ‚µ‚½ƒjƒ…[ƒgƒ|ƒOƒ‰ƒtƒBƒbƒNƒX‚Ì—¬‚ê‚Æ‚àŒÄ‰ž‚µ‚Ä‚¢‚邪A”ނ炪ulŠÔ‚ª•Ï‚¦‚½•—Œiv‚ðƒe[ƒ}‚ÉA‹qŠÏ“I‚ȉȊw’²¸“I‚ÈŠÏ‘ªŽÊ^‚Æ‚¢‚¤ƒAƒvƒ[ƒ`‚ðÌ—p‚µ‚½‚̂ɑ΂µAŽÄ“c‚Ìì•i‚É‚ÍAlH•¨‚à‚Ü‚½Ž©‘RðŒ‚ɶ‰E‚³‚ê‚Ä‚¢‚é—lŽq‚ªAƒsƒNƒ`ƒƒƒŒƒXƒN‚É•`‚«o‚³‚ê‚Ä‚¢‚é“_‚ª“Á’¥“I‚Å‚ ‚éBŽÊ^W‚ÉwDAMxwLANDSCAPEx‘¼‘½”BƒWƒ‡[ƒWEƒC[ƒXƒgƒ}ƒ“ƒnƒEƒX‘ÛŽÊ^”üpŠÙAƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠÙAƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠÙ‘¼Žû‘ ‘½”B93”NAƒVƒJƒS”üpŠÙ‚Å‚ÌuToshio Shibatav“W‘¼BŠCŠO‚ł̌“W‚à‘½‚¢B08”N12ŒŽ‚ɂ͓Œ‹ž“sŽÊ^”üpŠÙ‚ł̌“W‚ðŠJ×\’èB
1949”N@“Œ‹ž‚ɶ‚Ü‚ê‚é
1972”N@“Œ‹žŒ|p‘åŠw”üpŠw•”ŠG‰æ‰È–û‰æêU‘²‹Æ
1974”N@“¯‘åŠw‰@C—¹
1975”N@ƒxƒ‹ƒM[•¶•”È‚æ‚è§Šw‹à‚ðŽó‚¯AƒQƒ“ƒgŽsA‰¤—§ƒAƒJƒfƒ~[ŽÊ^Šw‰È“üŠw
1979”N@‹A‘
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1979”N u“~‚̃ˆ[ƒƒbƒpv@ƒjƒRƒ“EƒTƒƒ“^“Œ‹ž
1982”N uƒfƒBƒIƒ‰ƒ}‚̂悤‚Év@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1984”N ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“A“Œ‹ž
1986”N uGeo / Metry / Graphyv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1988”N u“ú–{“_ŒiFOn the spotv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1989”N u“ú–{“TŒ^FQuintessence of Japanv@”Ô’¬‰æ˜L^“Œ‹ž
1991”N uŽÄ“c•q—YE“ú–{“TŒ^^‰ð“Ç‚ÌŽŽ‚ÝE“Wv
1991”N@ƒtƒHƒgEƒCƒ“ƒ^[ƒtƒH[ƒ€•ƒCƒ“ƒ^[ƒtƒH[ƒ€EƒAƒgƒŠƒG^‘åã
1991”N uŽÄ“c•q—YE“W^Œ»‘ãŽÊ^‚Ì•êŒ^\Part 1v@ìèŽsŽs–¯ƒ~ƒ…[ƒWƒAƒ€^ìè
1992”N u“ú–{“TŒ^Eo”Å‹L”O“Wv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
1992”N uPHOTOGRAPHS^ŽÄ“c•q—Y“Wv@ƒ~ƒmƒ‹ƒ^ƒtƒHƒgƒXƒy[ƒXVh^VhA‘¼„‰ñ
1993”N uŽÄ“c•q—YŽÊ^“Wv@ƒvƒ‰ƒUEƒMƒƒƒ‰ƒŠ[^“Œ‹ž
1993”N uToshio Shibatav@ƒVƒJƒS”üpŠÙ^ƒVƒJƒS
1993”N uMonumentsv@ƒpƒXƒgƒŒƒCƒYEƒtƒHƒgƒMƒƒƒ‰ƒŠ[^‰¡•l
1993”N uToshio Shibatav@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
1993”N uCirculationvƒtƒHƒgEƒCƒ“ƒ^[ƒtƒH[ƒ€•ƒCƒ“ƒ^[ƒtƒH[ƒ€EƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[^‘åã
1994”N uƒeƒ‰FTERRA@v@ƒ‰ƒ“ƒhƒ}[ƒNEƒ^ƒ[EƒMƒƒƒ‰ƒŠ[^‰¡•l
1994”N uToshio Shibatav@ƒTƒ“ƒ^ƒ‚ƒjƒJ‘åŠw^ƒƒTƒ“ƒWƒFƒ‹ƒX
1994”N uRecent Worksv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1995”N ƒNƒŠ[ƒuƒ‰ƒ“ƒh”üpŠÙ / ClevelandCOH
1995”N uConcrete / Abstractv ƒ|[ƒgƒTƒCƒhEƒMƒƒƒ‰ƒŠ[ / ‰¡•l
1995”N uSHIBATAfs VisionFJapanese Landscapesv@ƒnƒ‹ƒXƒeƒbƒhEƒMƒƒƒ‰ƒŠ[^
1995”N@ƒo[ƒ~ƒ“ƒKƒ€ƒMƒƒƒ‰ƒŠ[ERAMEUSA^ƒTƒ“ƒ^ƒ‚ƒjƒJ
1996”N uLandscapeFo”Å‹L”O“Wv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
1996”N uThe Edge of Naturev@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
1997”N uToshio ShibatavƒVƒJƒSŒ»‘ã”üpŠÙ^ƒVƒJƒS
1997”N uTerra: in Pursuit of New LandscapevƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ
1998”N uToshio ShibatavƒpƒŠ‘—§ŽÊ^ƒZƒ“ƒ^[^ƒpƒŠ
1998”N uToshio ShibatavƒMƒƒƒ‰ƒŠ[Eƒtƒ‰ƒ“ƒ\ƒ-ƒYEƒpƒrƒI^ƒpƒŠ
1998”N uToshio Shibatavƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[NY^ƒjƒ…[ƒˆ[ƒN
1998”N uAmerican@Viewsv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
1998”N uBeyond@the@Familiarv@Š™‘q‰æ˜L^“Œ‹ž
1999”N uToshio Shibatavƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
1999”N uToshio ShibatavƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ
1999”N uToshio ShibatavƒXƒvƒŒƒ“ƒQƒ‹”üpŠÙAƒnƒm[ƒ”ƒ@[
1999”N uToshio Shibatavƒhƒ‰ƒCƒtƒHƒgAƒvƒ‰ƒgiƒCƒ^ƒŠƒAj
1999”N uToshio Shibatavƒ‚ƒfƒiŽs–¯ƒMƒƒƒ‰ƒŠ[Aƒ‚ƒfƒiiƒCƒ^ƒŠƒAj
1999”N uToshio ShibatavƒRƒƒ“ƒrƒA‘åŠwAƒjƒ…[ƒˆ[ƒN
2000”N uthe interior, the exteriorv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
2000”N uToshio@ShibatavElaine L. Jacob Gallery and Community Arts Gallery
2000”N@ƒEƒFƒCƒ“B—§‘åŠw^ƒfƒgƒƒCƒg
2001”N uColor Worksv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
2001”N uNew Worksv@ Gallery Luisotti^ƒƒTƒ“ƒWƒFƒ‹ƒX@
2002”N uNonstop Operationv ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
2002”N uOrder vs Chaos, Landscapes by Toshio ShibatavTepper Takayama Fine Arts^ƒ{ƒXƒgƒ“
2003”N uFalling watersv Laurence Milller Gallery
2004”N uType55v ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
2004”N uŽÄ“c•q—Y“Wv@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
2004”N uFifty-three Stations, 1983-1986v ƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ
2005”N uLayerE‘w^‘ov@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
2005”N uJuxtaposev@Š™‘q‰æ˜L^Š™‘qE_“Þì
2006”N uReclamationv@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
2006”N uWaterfoliov@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
2007”N uWork Manv ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“ / “Œ‹ž
2007”N uColor worksv ƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[/ ƒTƒ“ƒ^ƒ‚ƒjƒJ
2007”N iˆÈ‰ºA2004, 2001, 1999, 1997”N‚É“¯Š‚Ō“WŠJÃj
2008”N uLandscapev “Œ‹ž“sŽÊ^”üpŠÙ / “Œ‹ž
2008”N uStill in the Nightv ‘oƒMƒƒƒ‰ƒŠ[ / “Œ‹ž
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1972”N u“ú–{”ʼn拦‰ï“Wv@“Œ‹ž“s”üpŠÙ^“Œ‹ž
1976”N ƒXƒCƒXEƒgƒŠƒGƒi”ʼnæ“W
1979”N u2l“Wv@ƒ|[ƒ‹EƒsƒAEƒMƒƒƒ‰ƒŠ[^ƒAƒ“ƒgƒ[ƒv
1981”N u2l“Wv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1982”N ƒtƒHƒgƒLƒiEƒtƒHƒgƒA[ƒg„Ÿ1AƒPƒ‹ƒ“
1985”N uDumont Foto Ð 5v@ƒnƒ“ƒuƒ‹ƒOHŒ|”üpŠÙ^ƒnƒ“ƒuƒ‹ƒO
1985”N uƒpƒŠEƒjƒ…[ƒˆ[ƒNE“Œ‹žv@‚‚‚ÎŽÊ^”üpŠÙ'85^’}”gŒ¤‹†Šw‰€“sŽs
1986”N u“ú–{‚ÌŒ»‘ãŽÊ^EƒXƒyƒCƒ“„‰ñ“Wv@ƒoƒ‹ƒZƒƒi‘¼^ƒXƒyƒCƒ“
1986”N uƒX[ƒp[EƒCƒ[ƒW‚Ì¢ŠEi20x24" ƒ|ƒ‰ƒƒCƒh“Wjva’JƒV[ƒhƒz[ƒ‹^“Œ‹ž
1987”N uExhibition of Shashin@ŽÊ^E“Wv@@—LŠy’¬’©“úƒMƒƒƒ‰ƒŠ[^“Œ‹ž
1989”N uŒ»‘ãŽÊ^‚Ì“®Œü“Wv@ìèŽsŽs–¯ƒ~ƒ…[ƒWƒAƒ€^ìè
1989”N u“ú–{‚ÌŒ»‘ãŽÊ^“WF“ú—§ƒRƒŒƒNƒVƒ‡ƒ“‚æ‚èvƒZƒ“ƒ^[EƒtƒH[EƒNƒŠƒGƒCƒeƒBƒuE
1989”N@ƒtƒHƒOƒ‰ƒtƒBAƒAƒŠƒ]ƒiB—§‘åŠw^ƒAƒŠƒ]ƒi
1990”N uŽÊ^‚Ì‰ß‹Ž‚ÆŒ»Ýv@“Œ‹ž‘—§‹ß‘ã”üpŠÙ^“Œ‹žA‹ž“s‘—§‹ß‘ã”üpŠÙ^‹ž“s
1990”N u“ú–{‚̃Rƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[v@“Œ‹ž“sŽÊ^”üpŠÙ^“Œ‹žA‘¼„‰ñ
1990”N uƒjƒ…[EƒhƒLƒ…ƒƒ“ƒc'90v@•xŽRŒ§—§‹ß‘ã”üpŠÙ^•xŽR
1990”N uwÕ¨x‚±‚Ƃ΂Ȃ«•¨‚½‚¿‚ÌÕ“Tv@ɪŒ§—§”üpŠÙ^ɪ
1990”N u“ú–{‚ÌŒ»‘ãŽÊ^3l“WFƒtƒHƒgƒtƒFƒXƒg'90vƒqƒ…[ƒXƒgƒ“EƒRƒ“ƒxƒ“ƒVƒ‡ƒ“ƒZƒ“ƒ^[
1990”N@^ƒqƒ…[ƒXƒgƒ“
1990”N uŽ©‘R‚ðˆ¤‚·‚éŒ|p‰Æ‚½‚¿“WvƒOƒŠ[ƒ“Eƒ~ƒ…[ƒWƒAƒ€i‘Û‰Ô‚Æ—Î‚Ì”Ž——‰ïj^‘åã
1991”N uŽ©‘R‚ðˆ¤‚·‚éŒ|p‰Æ‚½‚¿v@–Ú•”üpŠÙ^“Œ‹ž
1992”N uƒjƒ…[EƒtƒHƒgƒOƒ‰ƒtƒB[8v@ƒjƒ…[ƒˆ[ƒN‹ß‘ã”üpŠÙ^ƒjƒ…[ƒˆ[ƒN
1992”N@WESTLAND ƒƒbƒeƒ‹ƒ_ƒ€EƒtƒHƒgƒrƒGƒ“ƒi[ƒŒ^ƒƒbƒeƒ‹ƒ_ƒ€
1992”N uVŽû‘ “WFV‚µ‚¢ì•i^V‚µ‚¢ŒXŒüv@ƒƒTƒ“ƒWƒFƒ‹ƒXEƒJƒEƒ“ƒeƒB[”üpŠÙ
1993”N uCrossing Territoriesv@ƒTƒ“ƒ^ƒtƒF”üpŠÙ^ƒTƒ“ƒ^ƒtƒF
1993”N uŽ‹Šo“IáÒ‘zv@A.O.I.ƒMƒƒƒ‰ƒŠ[^ƒTƒ“ƒ^ƒtƒF
1993”N u“ú–{Œ»‘ãŽÊ^“Wv@ƒ`ƒ…[ƒŠƒbƒq”üpŠÙ^ƒ`ƒ…[ƒŠƒbƒq
1994”N uPhotography and Beyond in Japanv@Œ´”üpŠÙ^“Œ‹ž
1994”N uGlobal Environmentv@‘æ5‰ñƒqƒ…[ƒXƒgƒ“EƒtƒHƒgƒtƒFƒXƒg
1994”N uCityscapesv@ƒ}[ƒTƒeƒbƒp[ƒtƒ@ƒCƒ“ƒA[ƒc^ƒ{ƒXƒgƒ“
1994”N uInside out : “ú–{‚ÌŒ»‘ãŽÊ^v@ƒ‰ƒCƒgƒtƒ@ƒNƒgƒŠ[^ƒVƒƒ[ƒƒbƒg
1994”N u‰t»–¢—ˆv@ƒtƒ‹[ƒcƒ}[ƒPƒbƒgƒMƒƒƒ‰ƒŠ[^ƒGƒWƒ“ƒoƒ‰
1995”N uTexture and Touchv@ƒjƒ…[ƒTƒEƒXƒEƒF[ƒ‹ƒY”üpŠÙ^ƒVƒhƒj[
1995”N uPhotography and Beyond in Japanv@ƒ^ƒ}ƒˆ”üpŠÙ^ƒƒLƒVƒRƒVƒeƒB[
1995”N u“Œ‹ž‘—§‹ß‘ã”üpŠÙ‚ÆŽÊ^@1953-1995v@“Œ‹ž‘—§‹ß‘ã”üpŠÙ^“Œ‹ž
1995”N u‰t»–¢—ˆv@ƒXƒpƒCƒ‰ƒ‹ƒK[ƒfƒ“ÂŽR^“Œ‹žA‘¼
1996”N uƒjƒ…[EƒWƒƒƒpƒj[ƒYEƒtƒHƒgƒOƒ‰ƒtƒB[1990'sv‰¡•lŽs–¯ƒMƒƒƒ‰ƒŠ[^‰¡•l
1996”N uFabulous Photosv@ƒEƒH[ƒZƒXƒ^[”üpŠÙ^ƒEƒH[ƒZƒXƒ^[
1996”N uContemporary Japanese PhotographyvƒWƒF[ƒ“EƒWƒƒƒNƒ\ƒ“Eƒtƒ@ƒCƒ“EƒA[ƒg^
1996”N@ƒAƒgƒ‰ƒ“ƒ^
1996”N uPhotography and Beyond in Japanv@ƒƒTƒ“ƒWƒFƒ‹ƒXEƒJƒEƒ“ƒeƒB[”üpŠÙ‘¼
1996”N u‰t»–¢—ˆv@ƒxƒ‹ƒŠƒ“Aƒnƒ“ƒKƒŠ[
1996”N u‚Ó‚½‚‚̃ƒfƒBƒA„ŸŽÄ“c•q—YE’C–ì“oŒbv@Š™‘q‰æ˜L^“Œ‹ž
1997”N@NICAF Tokyo 97 / Tokyo
1997”N uIndustry and Photographyv ƒNƒŠ[ƒuƒ‰ƒ“ƒh”üpŠÙ^ƒNƒŠ[ƒuƒ‰ƒ“ƒh
1997”N uPeople and Landscapesv@ƒtƒBƒbƒ`ƒo[ƒO”üpŠÙ^ƒtƒBƒbƒ`ƒo[ƒO
1997”N uPhotography and Beyond in Japanv@ƒzƒmƒ‹ƒ‹Œ»‘ã”üpŠÙ^ƒzƒmƒ‹ƒ‹
1999”N The palazzo della triennale
1999”N uRe-structurev@ƒOƒŠƒ“ƒlƒ‹ƒJƒŒƒbƒWEƒMƒƒƒ‰ƒŠ[^ƒOƒŠƒ“ƒlƒ‹
1999”N uThe Emerging Imagev@ƒTƒXƒPƒnƒi”üpŠÙ^ƒnƒŠƒXƒo[ƒO
1999”N uMore than meets the eyev@Deichtorhallen^ƒnƒ“ƒuƒ‹ƒO
2000”N uOpen Ends: Artchitecture Hot and Coldv@ƒjƒ…[ƒˆ[ƒN‹ß‘ã”üpŠÙ
2000”N uƒ”ƒFƒjƒXEƒvƒƒWƒFƒNƒgv@VEGA ‰ÈŠw‹ZpŒö‰€^ƒ”ƒFƒjƒX
2000”N uRepresenting the Intangiblev ƒtƒHƒgƒOƒ‰ƒtƒBƒbƒNEƒŠƒ\[ƒXƒZƒ“ƒ^[^ƒ{ƒXƒgƒ“
2000”N uA decade of collectingv ƒtƒHƒbƒO”üpŠÙ / ƒn[ƒo[ƒh‘åŠw
2000”N uFluid Flowv@ƒWƒF[ƒ€ƒXƒOƒ‰ƒnƒ€•ƒTƒ“ƒY‰æ˜L^ƒjƒ…[ƒˆ[ƒN
2001”N u14ì‰Æ‚̌“WF–Ú•ƒA[ƒgƒAƒjƒ…ƒAƒ‹2000v@–Ú•‹æ”üpŠÙ^“Œ‹ž
2001”N uBetween Light and ShadowFPhotographs and Prints from the
Gary Bettis
2001”N@Collectionvƒ{ƒCƒVƒB[”üpŠÙ^ƒ{ƒCƒVƒB[
2001”N uƒVƒƒƒbƒtƒ‹Fƒ|ƒ‰ƒƒCƒh‚Ö‚Ì‚U‚‚̃Aƒvƒ[ƒ`v@ƒ|ƒ‰ƒƒCƒhEƒMƒƒƒ‰ƒŠ[
2002”N uGo on being, our blue star!v “Œ‹ž•xŽm”üpŠÙ^“Œ‹žAL“‡”üpŠÙ^L“‡
2002”N uLends Landscapev ƒ{ƒXƒgƒ“”üpŠÙ^ƒ{ƒXƒgƒ“
2002”N uFrom the Outside Inv ƒAƒCƒIƒ‘åŠw”üpŠÙ^ƒAƒCƒIƒƒVƒeƒB
2003”N uConsuming Naturev ƒVƒJƒSŒ»‘ãŽÊ^”üpŠÙ^ƒVƒJƒS
2003”N uHistory of Photographyv ƒ[ƒuEƒA[ƒgƒZƒ“ƒ^[iƒ”ƒ@ƒbƒT[‘åŠwj
2003”N uDefining Moments|Two Centuries of PhotographyvƒAƒbƒNƒ‰ƒ“ƒh”üpŠÙ^ƒ`ƒƒƒyƒ‹ƒqƒ‹
2003”N uOASES“Wv ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
2003”N u“ú–{ŽÊ^Žj“Wv@ƒqƒ…[ƒXƒgƒ“”üpŠÙ^ƒqƒ…[ƒXƒgƒ“
2004”N uThe Altered Landscapev@ƒvƒŒƒ[ƒ“ƒe[ƒVƒ‡ƒ“EƒnƒEƒXEƒMƒƒƒ‰ƒŠ[^ƒJƒiƒ_
2004”N u–Ú•‹æ‚Ì”üp@‚Q‚O‚O‚Sv
2005”N uThe Altered Landscapev@ƒiƒVƒ‡ƒiƒ‹EƒAƒJƒfƒ~[ ^ƒƒVƒ“ƒgƒ“
2005”N uArt Fair Tokyov “Œ‹ž‘ÛƒtƒH[ƒ‰ƒ€
2005”N uSurfacev ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
2005”N uThe Ancient sound of the Imagevƒ[ƒ}‘ÛƒtƒFƒXƒeƒBƒoƒ‹
2005”N@ Fontana di Trevi, Instituto Nazionale per la Grafica ^ƒ[ƒ}
2005”N u10 years anniversaryv ƒMƒƒƒ‰ƒŠ[Eƒtƒ‰ƒ“ƒ\ƒ-ƒYEƒpƒrƒI^ƒpƒŠ
2005”N uƒ‚ƒmƒNƒ[ƒ€„lv@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
2006”N uRobert Wood Johnson Gallery / vƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠÙ^ƒjƒ…[ƒˆ[ƒN
2006”N uPlacevŽÊ^ƒRƒŒƒNƒVƒ‡ƒ“ƒMƒƒƒ‰ƒŠ[A ƒjƒ…[ƒˆ[ƒN‹ß‘ã”üpŠÙ^ƒjƒ…[ƒˆ[ƒN
2006”N uLes preintres de la vie modernev ƒ|ƒ“ƒsƒh[EƒZƒ“ƒ^[^ƒpƒŠ
2006”N uRecent Landscape Photography: The Intimate and the Sublimev ƒZƒ“ƒgƒ‹ƒCƒX”üpŠÙ
2007”N uJAPAN Caught by Camera [Works from the Photographic Art in Japan[ v
2007”N@ãŠC”üpŠÙ^ãŠC
2007”N uUpon an Ether Sea: Water and Ship Imagery from the MCA Collection v/ ƒVƒJƒS
2007”N@Œ»‘ã”üpŠÙ
2007”N usŽÊ^tŒ©‚¦‚é‚à‚ÌŒ©‚¦‚È‚¢‚à‚Ìv@“Œ‹žåYp‘åŠw”üpŠÙ ’—ñŠÙ
2007”N u…‚ÌîŒi\ƒ‚ƒlA‘åŠÏ‚©‚猻‘ã‚܂œWv@‰¡•l”üpŠÙ
2007”N uJoy of colorv ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[ / ƒjƒ…[ƒˆ[ƒN
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