news projects exhibition links  
English
list
 

ŽÄ“c•q—Y@Toshio Shibata


“Œ‹ž“sśB”ʼnć‚đŠw‚сA1975”N‚Ƀxƒ‹ƒM[‘•ś•”Č‚̏§Šw‹ŕ‚Ĺ—ŻŠwBƒQƒ“ƒg‚̉¤—§ƒAƒJƒfƒ~[‚Ŏʐ^‚ɏo‰ď‚˘A‹A‘ŒăA1980”N ‚Š‚ç•—ŒiŽĘ^‚đŽB‚čŽn‚ß‚éB79”N‰‚ĚŒÂ“Wu“~‚Ěƒˆ[ƒƒbƒpviƒjƒRƒ“EƒTƒƒ“jˆČ~Aƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“‚𒆐S‚Ɍ“W‚𐸗͓I‚ÉŠJĂ‚ˇ‚éB'89”N‚ÉŽRŠÔ•”‚ĚƒRƒ“ƒNƒŠ[ƒg‚Ě—i•Ç‚⎥…‚ł‚ę‚˝ě‚Ȃǂ̐lH“IŒš‘˘•¨‚đ‘ĺŒ^ƒJƒƒ‰‚ĹŽB‰e‚ľ‚˝u“ú–{“TŒ^v‚ō‚‚˘•]‰ż‚𓞂āA‘ć17‰ń–Ř‘şˆÉ•ş‰qŽĘ^Üi1992jŽóÜBŽÄ“c‚Ş‘¨‚Ś‚é•—ŒiŽĘ^‚́AƒAƒƒŠƒJ‚𒆐S‚Ć‚ľ‚˝ƒjƒ…[ƒgƒ|ƒOƒ‰ƒtƒBƒbƒNƒX‚Ě—Ź‚ę‚Ć‚ŕŒÄ‰ž‚ľ‚Ä‚˘‚é‚ŞA”Ţ‚ç‚ŞulŠÔ‚Ş•Ď‚Ś‚˝•—Œiv‚đƒe[ƒ}‚ɁA‹qŠĎ“I‚ȉȊw’˛¸“I‚ČŠĎ‘ŞŽĘ^‚Ć‚˘‚¤ƒAƒvƒ[ƒ`‚đĚ—p‚ľ‚˝‚̂ɑ΂ľAŽÄ“c‚̍ě•i‚ɂ́AlH•¨‚ŕ‚Ü‚˝ŽŠ‘RđŒ‚ɍś‰E‚ł‚ę‚Ä‚˘‚é—lŽq‚ށAƒsƒNƒ`ƒƒƒŒƒXƒN‚É•`‚Ťo‚ł‚ę‚Ä‚˘‚é“_‚Ş“Á’Ľ“I‚Ĺ‚ ‚éBŽĘ^W‚ɁwDAMxwLANDSCAPEx‘ź‘˝”BƒWƒ‡[ƒWEƒC[ƒXƒgƒ}ƒ“ƒnƒEƒX‘ŰŽĘ^”üpŠŮAƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠŮAƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠŮ‘źŽű‘ ‘˝”B93”NAƒVƒJƒS”üpŠŮ‚ł́uToshio Shibatav“W‘źBŠCŠO‚Ĺ‚ĚŒÂ“W‚ŕ‘˝‚˘B08”N12ŒŽ‚É‚Í“Œ‹ž“sŽĘ^”üpŠŮ‚Ĺ‚ĚŒÂ“W‚đŠJĂ—\’čB


1949”N@“Œ‹ž‚ɐś‚Ü‚ę‚é
1972”N@“Œ‹žŒ|p‘ĺŠw”üpŠw•”ŠG‰ć‰Č–ű‰ćęU‘˛‹Ć
1974”N@“Ż‘ĺŠw‰@C—š
1975”N@ƒxƒ‹ƒM[•ś•”Č‚ć‚菧Šw‹ŕ‚đŽó‚ŻAƒQƒ“ƒgŽsA‰¤—§ƒAƒJƒfƒ~[ŽĘ^Šw‰Č“üŠw
1979”N@‹A‘



< Žĺ‚ČŒÂ“W >

1979”N u“~‚Ěƒˆ[ƒƒbƒpv@ƒjƒRƒ“EƒTƒƒ“^“Œ‹ž

1982”N uƒfƒBƒIƒ‰ƒ}‚̂悤‚Ɂv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž

1984”N@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“A“Œ‹ž

1986”N uGeo / Metry / Graphyv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž

1988”N u“ú–{“_ŒiFOn the spotv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž

1989”N u“ú–{“TŒ^FQuintessence of Japanv@”Ô’Ź‰ć˜L^“Œ‹ž

1991”N uŽÄ“c•q—YE“ú–{“TŒ^^‰đ“Ç‚ĚŽŽ‚݁E“Wv
1991”N@ƒtƒHƒgEƒCƒ“ƒ^[ƒtƒH[ƒ€•ƒCƒ“ƒ^[ƒtƒH[ƒ€EƒAƒgƒŠƒG^‘ĺă
1991”N uŽÄ“c•q—YE“W^Œť‘ăŽĘ^‚Ě•ęŒ^\Part 1v@ěčŽsŽs–Żƒ~ƒ…[ƒWƒAƒ€^ěč

1992”N u“ú–{“TŒ^Eo”Ĺ‹L”O“Wv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
1992”N uPHOTOGRAPHS^ŽÄ“c•q—Y“Wv@ƒ~ƒmƒ‹ƒ^ƒtƒHƒgƒXƒy[ƒXVh^VhA‘ź„‰ń

1993”N uŽÄ“c•q—YŽĘ^“Wv@ƒvƒ‰ƒUEƒMƒƒƒ‰ƒŠ[^“Œ‹ž
1993”N uToshio Shibatav@ƒVƒJƒS”üpŠŮ^ƒVƒJƒS
1993”N uMonumentsv@ƒpƒXƒgƒŒƒCƒYEƒtƒHƒgƒMƒƒƒ‰ƒŠ[^‰Ą•l
1993”N uToshio Shibatav@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
1993”N uCirculationvƒtƒHƒgEƒCƒ“ƒ^[ƒtƒH[ƒ€•ƒCƒ“ƒ^[ƒtƒH[ƒ€EƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[^‘ĺă

1994”N uƒeƒ‰FTERRA@v@ƒ‰ƒ“ƒhƒ}[ƒNEƒ^ƒ[EƒMƒƒƒ‰ƒŠ[^‰Ą•l
1994”N uToshio Shibatav@ƒTƒ“ƒ^ƒ‚ƒjƒJ‘ĺŠw^ƒƒTƒ“ƒWƒFƒ‹ƒX
1994”N uRecent Worksv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž

1995”N ƒNƒŠ[ƒuƒ‰ƒ“ƒh”üpŠŮ / ClevelandCOH
1995”N uConcrete / Abstractv ƒ|[ƒgƒTƒCƒhEƒMƒƒƒ‰ƒŠ[ / ‰Ą•l
1995”N uSHIBATAfs VisionFJapanese Landscapesv@ƒnƒ‹ƒXƒeƒbƒhEƒMƒƒƒ‰ƒŠ[^
1995”N@ƒo[ƒ~ƒ“ƒKƒ€ƒMƒƒƒ‰ƒŠ[ERAMEUSA^ƒTƒ“ƒ^ƒ‚ƒjƒJ

1996”N uLandscapeFo”Ĺ‹L”O“Wv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
1996”N uThe Edge of Naturev@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN

1997”N uToshio ShibatavƒVƒJƒSŒť‘ă”üpŠŮ^ƒVƒJƒS
1997”N uTerra: in Pursuit of New LandscapevƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ

1998”N uToshio ShibatavƒpƒŠ‘—§ŽĘ^ƒZƒ“ƒ^[^ƒpƒŠ
1998”N uToshio ShibatavƒMƒƒƒ‰ƒŠ[Eƒtƒ‰ƒ“ƒ\ƒ-ƒYEƒpƒrƒI^ƒpƒŠ
1998”N uToshio Shibatavƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[NY^ƒjƒ…[ƒˆ[ƒN
1998”N uAmerican@Viewsv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
1998”N uBeyond@the@Familiarv@Š™‘q‰ć˜L^“Œ‹ž

1999”N uToshio Shibatavƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
1999”N uToshio ShibatavƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ
1999”N uToshio ShibatavƒXƒvƒŒƒ“ƒQƒ‹”üpŠŮAƒnƒm[ƒ”ƒ@[
1999”N uToshio Shibatavƒhƒ‰ƒCƒtƒHƒgAƒvƒ‰ƒgiƒCƒ^ƒŠƒAj
1999”N uToshio Shibatavƒ‚ƒfƒiŽs–ŻƒMƒƒƒ‰ƒŠ[Aƒ‚ƒfƒiiƒCƒ^ƒŠƒAj
1999”N uToshio ShibatavƒRƒƒ“ƒrƒA‘ĺŠwAƒjƒ…[ƒˆ[ƒN

2000”N uthe interior, the exteriorv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
2000”N uToshio@ShibatavElaine L. Jacob Gallery and Community Arts Gallery
2000”N@ƒEƒFƒCƒ“B—§‘ĺŠw^ƒfƒgƒƒCƒg

2001”N uColor Worksv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
2001”N uNew Worksv@ Gallery Luisotti^ƒƒTƒ“ƒWƒFƒ‹ƒX@

2002”N uNonstop Operationv ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
2002”N uOrder vs Chaos, Landscapes by Toshio ShibatavTepper Takayama Fine Arts^ƒ{ƒXƒgƒ“

2003”N uFalling watersv Laurence Milller Gallery

2004”N uType55v ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
2004”N uŽÄ“c•q—Y“Wv@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
2004”N uFifty-three Stations, 1983-1986v ƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ

2005”N uLayerE‘w^‘ov@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
2005”N uJuxtaposev@Š™‘q‰ć˜L^Š™‘qE_“ސě

2006”N uReclamationv@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
2006”N uWaterfoliov@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž

2007”N uWork Manv ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“ / “Œ‹ž
2007”N uColor worksv ƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[/ ƒTƒ“ƒ^ƒ‚ƒjƒJ
2007”N iˆČ‰şA2004, 2001, 1999, 1997”N‚É“ŻŠ‚ĹŒÂ“WŠJĂj

2008”N uLandscapev “Œ‹ž“sŽĘ^”üpŠŮ / “Œ‹ž
2008”N uStill in the Nightv ‘oƒMƒƒƒ‰ƒŠ[ / “Œ‹ž

2010”N ua View for GreyvNADiff a/p/a/r/t@/ “Œ‹ž
2010”N uBoundary Hunt -Type55-vŠ™‘q‰ć˜L / _“ސě

2011”N uconcrete abstractionv BLD GALLERY / “Œ‹ž



< Žĺ‚ČƒOƒ‹[ƒv“W >

1972”N u“ú–{”ʼn拌‰ď“Wv@“Œ‹ž“s”üpŠŮ^“Œ‹ž

1976”N ƒXƒCƒXEƒgƒŠƒGƒi”ʼnć“W

1979”N u2l“Wv@ƒ|[ƒ‹EƒsƒAEƒMƒƒƒ‰ƒŠ[^ƒAƒ“ƒgƒ[ƒv

1981”N u2l“Wv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž

1982”N ƒtƒHƒgƒLƒiEƒtƒHƒgƒA[ƒg„Ÿ1AƒPƒ‹ƒ“

1985”N uDumont Foto Đ 5v@ƒnƒ“ƒuƒ‹ƒOHŒ|”üpŠŮ^ƒnƒ“ƒuƒ‹ƒO
1985”N uƒpƒŠEƒjƒ…[ƒˆ[ƒNE“Œ‹žv@‚‚­‚Ύʐ^”üpŠŮ'85^’}”gŒ¤‹†Šw‰€“sŽs

1986”N u“ú–{‚ĚŒť‘ăŽĘ^EƒXƒyƒCƒ“„‰ń“Wv@ƒoƒ‹ƒZƒƒi‘ź^ƒXƒyƒCƒ“
1986”N uƒX[ƒp[EƒCƒ[ƒW‚̐˘ŠEi20x24" ƒ|ƒ‰ƒƒCƒh“Wjva’JƒV[ƒhƒz[ƒ‹^“Œ‹ž

1987”N uExhibition of Shashin@ŽĘ^E“Wv@@—LŠy’Ź’Š“úƒMƒƒƒ‰ƒŠ[^“Œ‹ž

1989”N uŒť‘ăŽĘ^‚Ě“ŽŒü“Wv@ěčŽsŽs–Żƒ~ƒ…[ƒWƒAƒ€^ěč
1989”N u“ú–{‚ĚŒť‘ăŽĘ^“WF“ú—§ƒRƒŒƒNƒVƒ‡ƒ“‚ć‚čvƒZƒ“ƒ^[EƒtƒH[EƒNƒŠƒGƒCƒeƒBƒuE
1989”N@ƒtƒHƒOƒ‰ƒtƒBAƒAƒŠƒ]ƒiB—§‘ĺŠw^ƒAƒŠƒ]ƒi

1990”N uŽĘ^‚̉ߋŽ‚ĆŒťÝv@“Œ‹ž‘—§‹ß‘ă”üpŠŮ^“Œ‹žA‹ž“s‘—§‹ß‘ă”üpŠŮ^‹ž“s
1990”N u“ú–{‚ĚƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[v@“Œ‹ž“sŽĘ^”üpŠŮ^“Œ‹žA‘ź„‰ń
1990”N uƒjƒ…[EƒhƒLƒ…ƒƒ“ƒc'90v@•xŽRŒ§—§‹ß‘ă”üpŠŮ^•xŽR
1990”N uwĂ•¨x‚ą‚Ƃ΂ȂŤ•¨‚˝‚ż‚ĚŐ“Tv@Ă‰ŞŒ§—§”üpŠŮ^Ă‰Ş
1990”N u“ú–{‚ĚŒť‘ăŽĘ^3l“WFƒtƒHƒgƒtƒFƒXƒg'90vƒqƒ…[ƒXƒgƒ“EƒRƒ“ƒxƒ“ƒVƒ‡ƒ“ƒZƒ“ƒ^[
1990”N@^ƒqƒ…[ƒXƒgƒ“
1990”N uŽŠ‘R‚đˆ¤‚ˇ‚éŒ|p‰Ć‚˝‚ż“WvƒOƒŠ[ƒ“Eƒ~ƒ…[ƒWƒAƒ€i‘Ű‰Ô‚Ɨ΂̔Ž——‰ďj^‘ĺă

1991”N uŽŠ‘R‚đˆ¤‚ˇ‚éŒ|p‰Ć‚˝‚żv@–ڍ•”üpŠŮ^“Œ‹ž

1992”N uƒjƒ…[EƒtƒHƒgƒOƒ‰ƒtƒB[8v@ƒjƒ…[ƒˆ[ƒN‹ß‘ă”üpŠŮ^ƒjƒ…[ƒˆ[ƒN
1992”N@WESTLAND ƒƒbƒeƒ‹ƒ_ƒ€EƒtƒHƒgƒrƒGƒ“ƒi[ƒŒ^ƒƒbƒeƒ‹ƒ_ƒ€
1992”N uVŽű‘ “WFV‚ľ‚˘ě•i^V‚ľ‚˘ŒXŒüv@ƒƒTƒ“ƒWƒFƒ‹ƒXEƒJƒEƒ“ƒeƒB[”üpŠŮ

1993”N uCrossing Territoriesv@ƒTƒ“ƒ^ƒtƒF”üpŠŮ^ƒTƒ“ƒ^ƒtƒF
1993”N uŽ‹Šo“Iáґzv@A.O.I.ƒMƒƒƒ‰ƒŠ[^ƒTƒ“ƒ^ƒtƒF
1993”N u“ú–{Œť‘ăŽĘ^“Wv@ƒ`ƒ…[ƒŠƒbƒq”üpŠŮ^ƒ`ƒ…[ƒŠƒbƒq

1994”N uPhotography and Beyond in Japanv@Œ´”üpŠŮ^“Œ‹ž
1994”N uGlobal Environmentv@‘ć5‰ńƒqƒ…[ƒXƒgƒ“EƒtƒHƒgƒtƒFƒXƒg
1994”N uCityscapesv@ƒ}[ƒTƒeƒbƒp[ƒtƒ@ƒCƒ“ƒA[ƒc^ƒ{ƒXƒgƒ“
1994”N uInside out : “ú–{‚ĚŒť‘ăŽĘ^v@ƒ‰ƒCƒgƒtƒ@ƒNƒgƒŠ[^ƒVƒƒ[ƒƒbƒg
1994”N u‰tť–˘—ˆv@ƒtƒ‹[ƒcƒ}[ƒPƒbƒgƒMƒƒƒ‰ƒŠ[^ƒGƒWƒ“ƒoƒ‰

1995”N uTexture and Touchv@ƒjƒ…[ƒTƒEƒXƒEƒF[ƒ‹ƒY”üpŠŮ^ƒVƒhƒj[
1995”N uPhotography and Beyond in Japanv@ƒ^ƒ}ƒˆ”üpŠŮ^ƒƒLƒVƒRƒVƒeƒB[
1995”N u“Œ‹ž‘—§‹ß‘ă”üpŠŮ‚Ǝʐ^@1953-1995v@“Œ‹ž‘—§‹ß‘ă”üpŠŮ^“Œ‹ž
1995”N u‰tť–˘—ˆv@ƒXƒpƒCƒ‰ƒ‹ƒK[ƒfƒ“ÂŽR^“Œ‹žA‘ź

1996”N uƒjƒ…[EƒWƒƒƒpƒj[ƒYEƒtƒHƒgƒOƒ‰ƒtƒB[1990'sv‰Ą•lŽs–ŻƒMƒƒƒ‰ƒŠ[^‰Ą•l
1996”N uFabulous Photosv@ƒEƒH[ƒZƒXƒ^[”üpŠŮ^ƒEƒH[ƒZƒXƒ^[
1996”N uContemporary Japanese PhotographyvƒWƒF[ƒ“EƒWƒƒƒNƒ\ƒ“Eƒtƒ@ƒCƒ“EƒA[ƒg^
1996”N@ƒAƒgƒ‰ƒ“ƒ^
1996”N uPhotography and Beyond in Japanv@ƒƒTƒ“ƒWƒFƒ‹ƒXEƒJƒEƒ“ƒeƒB[”üpŠŮ‘ź
1996”N u‰tť–˘—ˆv@ƒxƒ‹ƒŠƒ“Aƒnƒ“ƒKƒŠ[
1996”N u‚Ó‚˝‚Â‚ĚƒƒfƒBƒA„ŸŽÄ“c•q—YE’C–ě“oŒbv@Š™‘q‰ć˜L^“Œ‹ž

1997”N@NICAF Tokyo 97 / Tokyo
1997”N uIndustry and Photographyv ƒNƒŠ[ƒuƒ‰ƒ“ƒh”üpŠŮ^ƒNƒŠ[ƒuƒ‰ƒ“ƒh
1997”N uPeople and Landscapesv@ƒtƒBƒbƒ`ƒo[ƒO”üpŠŮ^ƒtƒBƒbƒ`ƒo[ƒO
1997”N uPhotography and Beyond in Japanv@ƒzƒmƒ‹ƒ‹Œť‘ă”üpŠŮ^ƒzƒmƒ‹ƒ‹

1999”N The palazzo della triennale
1999”N uRe-structurev@ƒOƒŠƒ“ƒlƒ‹ƒJƒŒƒbƒWEƒMƒƒƒ‰ƒŠ[^ƒOƒŠƒ“ƒlƒ‹
1999”N uThe Emerging Imagev@ƒTƒXƒPƒnƒi”üpŠŮ^ƒnƒŠƒXƒo[ƒO
1999”N uMore than meets the eyev@Deichtorhallen^ƒnƒ“ƒuƒ‹ƒO

2000”N uOpen Ends: Artchitecture Hot and Coldv@ƒjƒ…[ƒˆ[ƒN‹ß‘ă”üpŠŮ
2000”N uƒ”ƒFƒjƒXEƒvƒƒWƒFƒNƒgv@VEGA ‰ČŠw‹ZpŒö‰€^ƒ”ƒFƒjƒX
2000”N uRepresenting the Intangiblev ƒtƒHƒgƒOƒ‰ƒtƒBƒbƒNEƒŠƒ\[ƒXƒZƒ“ƒ^[^ƒ{ƒXƒgƒ“
2000”N uA decade of collectingv ƒtƒHƒbƒO”üpŠŮ / ƒn[ƒo[ƒh‘ĺŠw
2000”N uFluid Flowv@ƒWƒF[ƒ€ƒXƒOƒ‰ƒnƒ€•ƒTƒ“ƒY‰ć˜L^ƒjƒ…[ƒˆ[ƒN

2001”N u14ě‰Ć‚ĚŒÂ“WF–ڍ•ƒA[ƒgƒAƒjƒ…ƒAƒ‹2000v@–ڍ•‹ć”üpŠŮ^“Œ‹ž
2001”N uBetween Light and ShadowFPhotographs and Prints from the Gary Bettis
2001”N@Collectionvƒ{ƒCƒVƒB[”üpŠŮ^ƒ{ƒCƒVƒB[
2001”N uƒVƒƒƒbƒtƒ‹Fƒ|ƒ‰ƒƒCƒh‚Ö‚Ě‚U‚Â‚ĚƒAƒvƒ[ƒ`v@ƒ|ƒ‰ƒƒCƒhEƒMƒƒƒ‰ƒŠ[

2002”N uGo on being, our blue star!v “Œ‹ž•xŽm”üpŠŮ^“Œ‹žAL“‡”üpŠŮ^L“‡
2002”N uLends Landscapev ƒ{ƒXƒgƒ“”üpŠŮ^ƒ{ƒXƒgƒ“
2002”N uFrom the Outside Inv ƒAƒCƒIƒ‘ĺŠw”üpŠŮ^ƒAƒCƒIƒƒVƒeƒB

2003”N uConsuming Naturev ƒVƒJƒSŒť‘ăŽĘ^”üpŠŮ^ƒVƒJƒS
2003”N uHistory of Photographyv ƒ[ƒuEƒA[ƒgƒZƒ“ƒ^[iƒ”ƒ@ƒbƒT[‘ĺŠwj
2003”N uDefining Moments|Two Centuries of PhotographyvƒAƒbƒNƒ‰ƒ“ƒh”üpŠŮ^ƒ`ƒƒƒyƒ‹ƒqƒ‹
2003”N uOASES“Wv ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
2003”N u“ú–{ŽĘ^Žj“Wv@ƒqƒ…[ƒXƒgƒ“”üpŠŮ^ƒqƒ…[ƒXƒgƒ“

2004”N uThe Altered Landscapev@ƒvƒŒƒ[ƒ“ƒe[ƒVƒ‡ƒ“EƒnƒEƒXEƒMƒƒƒ‰ƒŠ[^ƒJƒiƒ_
2004”N u–ڍ•‹ć‚Ě”üp@‚Q‚O‚O‚Sv

2005”N uThe Altered Landscapev@ƒiƒVƒ‡ƒiƒ‹EƒAƒJƒfƒ~[ ^ƒƒVƒ“ƒgƒ“
2005”N uArt Fair Tokyov “Œ‹ž‘ŰƒtƒH[ƒ‰ƒ€
2005”N uSurfacev ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
2005”N uThe Ancient sound of the Imagevƒ[ƒ}‘ŰƒtƒFƒXƒeƒBƒoƒ‹
2005”N@ Fontana di Trevi, Instituto Nazionale per la Grafica ^ƒ[ƒ}
2005”N u10 years anniversaryv ƒMƒƒƒ‰ƒŠ[Eƒtƒ‰ƒ“ƒ\ƒ-ƒYEƒpƒrƒI^ƒpƒŠ
2005”N uƒ‚ƒmƒNƒ[ƒ€„lv@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž

2006”N uRobert Wood Johnson Gallery / vƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠŮ^ƒjƒ…[ƒˆ[ƒN
2006”N uPlacevŽĘ^ƒRƒŒƒNƒVƒ‡ƒ“ƒMƒƒƒ‰ƒŠ[A ƒjƒ…[ƒˆ[ƒN‹ß‘ă”üpŠŮ^ƒjƒ…[ƒˆ[ƒN
2006”N uLes preintres de la vie modernev ƒ|ƒ“ƒsƒh[EƒZƒ“ƒ^[^ƒpƒŠ
2006”N uRecent Landscape Photography: The Intimate and the Sublimev ƒZƒ“ƒgƒ‹ƒCƒX”üpŠŮ

2007”N uJAPAN Caught by Camera [Works from the Photographic Art in Japan[ v
2007”N@ăŠC”üpŠŮ^ăŠC
2007”N uUpon an Ether Sea: Water and Ship Imagery from the MCA Collection v/ ƒVƒJƒS
2007”N@Œť‘ă”üpŠŮ
2007”N usŽĘ^tŒŠ‚Ś‚é‚ŕ‚ĚŒŠ‚Ś‚Č‚˘‚ŕ‚́v@“Œ‹žĺYp‘ĺŠw”üpŠŮ ’—ńŠŮ
2007”N u…‚̏îŒi\ƒ‚ƒlA‘ĺŠĎ‚Š‚çŒť‘ă‚Ü‚Ĺ“Wv@‰Ą•l”üpŠŮ
2007”N uJoy of colorv ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[ / ƒjƒ…[ƒˆ[ƒN

2009”N u‘˝–€ě‚Ł^‘˝–€ě‚Š‚çAƒA[ƒg‚ˇ‚év@•{’†Žs”üpŠŮ / “Œ‹ž


< ŽóÜ >

1992”N @‘ć17‰ńu–Ř‘şˆÉ•ş‰qŽĘ^ÜvŽóÜ
2009”N @u“ú–{ŽĘ^‹Ś‰ďÜ ě‰ĆÜvŽóÜ


< Žĺ‚Ȏʐ^W >

@wDAMx2004ANazraeli PressAUSA@
@wTYPE 55x2004ANazraeli PressAUSA@
@wVIEWx1998Œő—ÔŽĐ
@w‚k‚`‚m‚c‚r‚b‚`‚o‚dx1996ANazraeli PressAGermany
@w‚s‚d‚q‚q‚`x1994A“sŽso”ĹŽĐ
@w“ú–{“TŒ^x1992A’Š“úV•ˇŽĐ



< ƒRƒŒƒNƒVƒ‡ƒ“ >

ƒuƒ‰ƒbƒZƒ‹‰¤—§”üpŠŮ@Belgium@@
ƒnƒ“ƒuƒ‹ƒOHŒ|”üpŠŮ@Germany
ƒ|ƒ‰ƒƒCƒhEƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“@USA
‰Ą•l”üpŠŮ
ƒZƒ“ƒ^[EƒtƒH[EƒNƒŠƒGƒCƒeƒBƒuEƒtƒHƒgƒOƒ‰ƒtƒB[@USA
ƒpƒŠ‘—§}‘ŠŮ@France
ěčŽsŽs–Żƒ~ƒ…[ƒWƒAƒ€
ƒWƒ‡[ƒWEƒC[ƒXƒgƒ}ƒ“ƒnƒEƒX‘ŰŽĘ^”üpŠŮ@USA
ƒqƒ…[ƒXƒgƒ“”üpŠŮ@USA
“Œ‹ž‘—§‹ß‘ă”üpŠŮ
ƒƒXƒAƒ“ƒ[ƒ‹ƒXEƒJƒEƒ“ƒeƒB”üpŠŮ@USA
ƒjƒ…[ƒˆ[ƒN‹ß‘ă”üpŠŮ@USA
“Œ‹ž“sŽĘ^”üpŠŮ
–ڍ•‹ć”üpŠŮ
“Œ‹ž•xŽm”üpŠŮ
ƒxƒCƒŠ[”üpŠŮ^ƒo[ƒWƒjƒAB—§‘ĺŠw@USA
ƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠŮ@USA
ƒTƒ“ƒtƒ‰ƒ“ƒVƒXƒR‹ß‘ă”üpŠŮ@USA
ƒVƒJƒS”üpŠŮ@USA
ƒE[ƒXƒ^[”üpŠŮ@USA
ƒVƒJƒSŒť‘ă”üpŠŮ @USA
ƒAƒCƒIƒB—§‘ĺŠw”üpŠŮ@USA
ƒ~ƒ‹ƒEƒH[ƒL[”üpŠŮ@USA
ƒJƒiƒ_EƒiƒVƒ‡ƒiƒ‹ƒMƒƒƒ‰ƒŠ[@Canada
ƒpƒŠEƒˆ[ƒƒbƒpŽĘ^ŠŮ@France
ƒfƒ”ƒBƒbƒhEƒAƒ“ƒhEƒXƒ}[ƒg”üpŠŮAƒVƒJƒS‘ĺŠw @USA
ƒvƒƒOƒŒƒbƒVƒuEƒR[ƒ|ƒŒ[ƒVƒ‡ƒ“@USA
ƒ‰EƒT[ƒ‹‹âs@USA
ƒuƒ‹ƒbƒLƒ“ƒOEƒCƒ“ƒXƒeƒBƒeƒ…[ƒg@USA
ƒvƒŠƒ“ƒXƒgƒ“‘ĺŠw”üpŠŮ@USA
ƒ{ƒXƒgƒ“”üpŠŮ@USA
ƒtƒHƒbƒO”üpŠŮAƒn[ƒo[ƒh‘ĺŠw@USA
ƒ{ƒCƒV[”üpŠŮ USA
ƒ[ƒuEƒA[ƒgƒZƒ“ƒ^[/ ƒ”ƒ@ƒbƒT[‘ĺŠw@USA
ƒTƒ“ƒ^ƒo[ƒoƒ‰”üpŠŮ@USA
ƒZƒ“ƒgƒ‹ƒCƒX”üpŠŮ@USA@
ƒAƒbƒNƒ‰ƒ“ƒh”üpŠŮ@USA
ƒ~[ƒh”üpŠŮ@USA
ƒlƒoƒ_”üpŠŮ@USA
ƒQƒbƒeƒB[”üpŠŮ USA
ƒ”ƒBƒNƒgƒŠƒA•ƒAƒ‹ƒo[ƒg”üpŠŮ@England