@@ŽÄ“c•q—Y@@Toshio@Shibata
1949@“Œ‹ž‚ɶ‚Ü‚ê‚é
1972@“Œ‹žŒ|p‘åŠw”üpŠw•”ŠG‰æ‰È–û‰æêU‘²‹Æ
1974@“¯‘åŠw‰@C—¹
1975@ƒxƒ‹ƒM[•¶•”È‚æ‚è§Šw‹à‚ðŽó‚¯AƒQƒ“ƒgŽsA‰¤—§ƒAƒJƒfƒ~[ŽÊ^Šw‰È“üŠw
1979@‹A‘
ŒÂ“W
1979 u“~‚̃ˆ[ƒƒbƒpv@ƒjƒRƒ“EƒTƒƒ“^“Œ‹ž
1982 uƒfƒBƒIƒ‰ƒ}‚̂悤‚Év@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1984@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“A“Œ‹ž
1986 uGeo / Metry / Graphyv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1988 u“ú–{“_ŒiFOn the spotv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1989 u“ú–{“TŒ^FQuintessence of Japan@v@”Ô’¬‰æ˜L^“Œ‹ž
1991 uŽÄ“c•q—YE“ú–{“TŒ^^‰ð“Ç‚ÌŽŽ‚ÝE“Wv
@@@@ƒtƒHƒgEƒCƒ“ƒ^[ƒtƒH[ƒ€•ƒCƒ“ƒ^[ƒtƒH[ƒ€EƒAƒgƒŠƒG^‘åã
@@@uŽÄ“c•q—YE“W^Œ»‘ãŽÊ^‚Ì•êŒ^\Part 1v@ìèŽsŽs–¯ƒ~ƒ…[ƒWƒAƒ€^ìè
1992 u“ú–{“TŒ^Eo”Å‹L”O“Wv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
@@@uPHOTOGRAPHS^ŽÄ“c•q—Y“Wv@ƒ~ƒmƒ‹ƒ^ƒtƒHƒgƒXƒy[ƒXVh^VhA‘¼„‰ñ
1993 uŽÄ“c•q—YŽÊ^“Wv@ƒvƒ‰ƒUEƒMƒƒƒ‰ƒŠ[^“Œ‹ž
@@@uToshio Shibatav@ƒVƒJƒS”üpŠÙ^ƒVƒJƒS
@@@uMonumentsv@ƒpƒXƒgƒŒƒCƒYEƒtƒHƒgƒMƒƒƒ‰ƒŠ[^‰¡•l
@@@uToshio Shibatav@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
@@@uCirculationv
@@@@ƒtƒHƒgEƒCƒ“ƒ^[ƒtƒH[ƒ€•ƒCƒ“ƒ^[ƒtƒH[ƒ€EƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[^‘åã
1994 uƒeƒ‰FTERRA@v@ƒ‰ƒ“ƒhƒ}[ƒNEƒ^ƒ[EƒMƒƒƒ‰ƒŠ[^‰¡•l
@@@uToshio Shibatav@ƒTƒ“ƒ^ƒ‚ƒjƒJ‘åŠw^ƒƒTƒ“ƒWƒFƒ‹ƒX
@@@uRecent Worksv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1995@ƒNƒŠ[ƒuƒ‰ƒ“ƒh”üpŠÙ / ClevelandCOH
@@@uConcrete / Abstractv ƒ|[ƒgƒTƒCƒhEƒMƒƒƒ‰ƒŠ[ / ‰¡•l
@@@uSHIBATAfs VisionFJapanese Landscapesv@
@@@@ƒnƒ‹ƒXƒeƒbƒhEƒMƒƒƒ‰ƒŠ[^ƒo[ƒ~ƒ“ƒKƒ€
@@@ ƒMƒƒƒ‰ƒŠ[ERAMEUSA^ƒTƒ“ƒ^ƒ‚ƒjƒJ
1996 uLandscapeFo”Å‹L”O“Wv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
@@@uThe Edge of Naturev@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
1997 uToshio ShibatavƒVƒJƒSŒ»‘ã”üpŠÙ^ƒVƒJƒS
@@@uTerra: in Pursuit of New Landscapev@
@@@@ƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ
1998 uToshio ShibatavƒpƒŠ‘—§ŽÊ^ƒZƒ“ƒ^[^ƒpƒŠ
@@@uToshio ShibatavƒMƒƒƒ‰ƒŠ[Eƒtƒ‰ƒ“ƒ\ƒ-ƒYEƒpƒrƒI^ƒpƒŠ
@@@uToshio Shibatavƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[NY^ƒjƒ…[ƒˆ[ƒN
@@@uAmerican@Viewsv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
@@@uBeyond@the@Familiarv@Š™‘q‰æ˜L^“Œ‹ž
1999 uToshio Shibatavƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
@@@uToshio ShibatavƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ
@@@uToshio ShibatavƒXƒvƒŒƒ“ƒQƒ‹”üpŠÙAƒnƒm[ƒ”ƒ@[
@@@uToshio Shibatavƒhƒ‰ƒCƒtƒHƒgAƒvƒ‰ƒgiƒCƒ^ƒŠƒAj
@@@uToshio Shibatavƒ‚ƒfƒiŽs–¯ƒMƒƒƒ‰ƒŠ[Aƒ‚ƒfƒiiƒCƒ^ƒŠƒAj
@@@uToshio ShibatavƒRƒƒ“ƒrƒA‘åŠwAƒjƒ…[ƒˆ[ƒN
2000 uthe interior, the exteriorv@ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
@@@uToshio@ShibatavElaine L. Jacob Gallery and Community Arts Gallery
@@@@ƒEƒFƒCƒ“B—§‘åŠw^ƒfƒgƒƒCƒg
2001 uColor Worksv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
@@@uNew Worksv@ Gallery Luisotti^ƒƒTƒ“ƒWƒFƒ‹ƒX@
2002 uNonstop Operationv ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
@@@uOrder vs Chaos, Landscapes by Toshio Shibatav
@@@@Tepper Takayama Fine Arts^ƒ{ƒXƒgƒ“
2003 uFalling watersv Laurence Milller Gallery^
2004 uType55v ƒCƒ‹Eƒeƒ“ƒ|^“Œ‹ž
@@@uŽÄ“c•q—Y“Wv@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
@@@uFifty-three Stations, 1983-1986v
@@@@ƒMƒƒƒ‰ƒŠ[Eƒ‹ƒCƒ]ƒbƒeƒB[^ƒTƒ“ƒ^ƒ‚ƒjƒJ
2005 uLayerE‘w^‘ov@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
@@@uJuxtaposev@Š™‘q‰æ˜L^Š™‘qE_“Þì
2006 uReclamationv@ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
@@@uWaterfoliov@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
Žå‚ȃOƒ‹[ƒv“W
1972 u“ú–{”ʼn拦‰ï“Wv@“Œ‹ž“s”üpŠÙ^“Œ‹ž
1976@ ƒXƒCƒXEƒgƒŠƒGƒi”ʼnæ“W
1979u2l“Wv@ƒ|[ƒ‹EƒsƒAEƒMƒƒƒ‰ƒŠ[^ƒAƒ“ƒgƒ[ƒv
1981u2l“Wv@ƒcƒ@ƒCƒgEƒtƒHƒgEƒTƒƒ“^“Œ‹ž
1982@ƒtƒHƒgƒLƒiEƒtƒHƒgƒA[ƒg„Ÿ1AƒPƒ‹ƒ“
1985 uDumont Foto Ð 5v@ƒnƒ“ƒuƒ‹ƒOHŒ|”üpŠÙ^ƒnƒ“ƒuƒ‹ƒO
@@@uƒpƒŠEƒjƒ…[ƒˆ[ƒNE“Œ‹žv@‚‚‚ÎŽÊ^”üpŠÙ'85^’}”gŒ¤‹†Šw‰€“sŽs
1986 u“ú–{‚ÌŒ»‘ãŽÊ^EƒXƒyƒCƒ“„‰ñ“Wv@ƒoƒ‹ƒZƒƒi‘¼^ƒXƒyƒCƒ“
@@@uƒX[ƒp[EƒCƒ[ƒW‚Ì¢ŠEi20x24" ƒ|ƒ‰ƒƒCƒh“Wjv@a’JƒV[ƒhƒz[ƒ‹^“Œ‹ž
1987 uExhibition of Shashin@ŽÊ^E“Wv@@—LŠy’¬’©“úƒMƒƒƒ‰ƒŠ[^“Œ‹ž
1989 uŒ»‘ãŽÊ^‚Ì“®Œü“Wv@ìèŽsŽs–¯ƒ~ƒ…[ƒWƒAƒ€^ìè
@@@u“ú–{‚ÌŒ»‘ãŽÊ^“WF“ú—§ƒRƒŒƒNƒVƒ‡ƒ“‚æ‚èv@
@@@ƒZƒ“ƒ^[EƒtƒH[EƒNƒŠƒGƒCƒeƒBƒuEƒtƒHƒOƒ‰ƒtƒBAƒAƒŠƒ]ƒiB—§‘åŠw^ƒAƒŠƒ]ƒi
1990 uŽÊ^‚Ì‰ß‹Ž‚ÆŒ»Ýv@“Œ‹ž‘—§‹ß‘ã”üpŠÙ^“Œ‹žA‹ž“s‘—§‹ß‘ã”üpŠÙ^‹ž“s
@@@u“ú–{‚̃Rƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[v@“Œ‹ž“sŽÊ^”üpŠÙ^“Œ‹žA‘¼„‰ñ
@@@uƒjƒ…[EƒhƒLƒ…ƒƒ“ƒc'90v@•xŽRŒ§—§‹ß‘ã”üpŠÙ^•xŽR
@@@uwÕ¨x‚±‚Ƃ΂Ȃ«•¨‚½‚¿‚ÌÕ“Tv@ɪŒ§—§”üpŠÙ^ɪ
@@@u“ú–{‚ÌŒ»‘ãŽÊ^3l“WFƒtƒHƒgƒtƒFƒXƒg'90v@
@@@@ƒqƒ…[ƒXƒgƒ“EƒRƒ“ƒxƒ“ƒVƒ‡ƒ“ƒZƒ“ƒ^[^ƒqƒ…[ƒXƒgƒ“
@@@uŽ©‘R‚ðˆ¤‚·‚éŒ|p‰Æ‚½‚¿“Wv@
@@@@ƒOƒŠ[ƒ“Eƒ~ƒ…[ƒWƒAƒ€i‘Û‰Ô‚Æ—Î‚Ì”Ž——‰ïj^‘åã
1991uŽ©‘R‚ðˆ¤‚·‚éŒ|p‰Æ‚½‚¿v@–Ú•”üpŠÙ^“Œ‹ž
1992 uƒjƒ…[EƒtƒHƒgƒOƒ‰ƒtƒB[8v@ƒjƒ…[ƒˆ[ƒN‹ß‘ã”üpŠÙ^ƒjƒ…[ƒˆ[ƒN
@@@ WESTLAND ƒƒbƒeƒ‹ƒ_ƒ€EƒtƒHƒgƒrƒGƒ“ƒi[ƒŒ^ƒƒbƒeƒ‹ƒ_ƒ€
@@@uVŽû‘ “WFV‚µ‚¢ì•i^V‚µ‚¢ŒXŒüv@ƒƒTƒ“ƒWƒFƒ‹ƒXEƒJƒEƒ“ƒeƒB[”üpŠÙ
1993 uCrossing Territoriesv@ƒTƒ“ƒ^ƒtƒF”üpŠÙ^ƒTƒ“ƒ^ƒtƒF
@@@uŽ‹Šo“IáÒ‘zv@A.O.I.ƒMƒƒƒ‰ƒŠ[^ƒTƒ“ƒ^ƒtƒF
@@@u“ú–{Œ»‘ãŽÊ^“Wv@ƒ`ƒ…[ƒŠƒbƒq”üpŠÙ^ƒ`ƒ…[ƒŠƒbƒq
1994 uPhotography and Beyond in Japanv@Œ´”üpŠÙ^“Œ‹ž
@@@uGlobal Environmentv@‘æ5‰ñƒqƒ…[ƒXƒgƒ“EƒtƒHƒgƒtƒFƒXƒg
@@@uCityscapesv@ƒ}[ƒTƒeƒbƒp[ƒtƒ@ƒCƒ“ƒA[ƒc^ƒ{ƒXƒgƒ“
@@@uInside out : “ú–{‚ÌŒ»‘ãŽÊ^v@ƒ‰ƒCƒgƒtƒ@ƒNƒgƒŠ[^ƒVƒƒ[ƒƒbƒg
@@@u‰t»–¢—ˆv@ƒtƒ‹[ƒcƒ}[ƒPƒbƒgƒMƒƒƒ‰ƒŠ[^ƒGƒWƒ“ƒoƒ‰
1995 uTexture and Touchv@ƒjƒ…[ƒTƒEƒXƒEƒF[ƒ‹ƒY”üpŠÙ^ƒVƒhƒj[
@@@uPhotography and Beyond in Japanv@ƒ^ƒ}ƒˆ”üpŠÙ^ƒƒLƒVƒRƒVƒeƒB[
@@@u“Œ‹ž‘—§‹ß‘ã”üpŠÙ‚ÆŽÊ^@1953-1995v@“Œ‹ž‘—§‹ß‘ã”üpŠÙ^“Œ‹ž
@@@u‰t»–¢—ˆv@ƒXƒpƒCƒ‰ƒ‹ƒK[ƒfƒ“ÂŽR^“Œ‹žA‘¼
1996 uƒjƒ…[EƒWƒƒƒpƒj[ƒYEƒtƒHƒgƒOƒ‰ƒtƒB[1990'sv@‰¡•lŽs–¯ƒMƒƒƒ‰ƒŠ[^‰¡•l
@@@uFabulous Photosv@ƒEƒH[ƒZƒXƒ^[”üpŠÙ^ƒEƒH[ƒZƒXƒ^[
@@@uContemporary Japanese Photographyv@
@@@@ƒWƒF[ƒ“EƒWƒƒƒNƒ\ƒ“Eƒtƒ@ƒCƒ“EƒA[^ƒAƒgƒ‰ƒ“ƒ^
@@@uPhotography and Beyond in Japanv@ƒƒTƒ“ƒWƒFƒ‹ƒXEƒJƒEƒ“ƒeƒB[”üpŠÙ‘¼
@@@u‰t»–¢—ˆv@ƒxƒ‹ƒŠƒ“Aƒnƒ“ƒKƒŠ[
@@@u‚Ó‚½‚‚̃ƒfƒBƒA„ŸŽÄ“c•q—YE’C–ì“oŒbv@Š™‘q‰æ˜L^“Œ‹ž
1997@NICAF Tokyo 97 / Tokyo
@@@uIndustry and Photographyv ƒNƒŠ[ƒuƒ‰ƒ“ƒh”üpŠÙ^ƒNƒŠ[ƒuƒ‰ƒ“ƒh
@@@uPeople and Landscapesv@ƒtƒBƒbƒ`ƒo[ƒO”üpŠÙ^ƒtƒBƒbƒ`ƒo[ƒO
@@@uPhotography and Beyond in Japanv@ƒzƒmƒ‹ƒ‹Œ»‘ã”üpŠÙ^ƒzƒmƒ‹ƒ‹
1999@The palazzo della triennale
@@@uRe-structurev@ƒOƒŠƒ“ƒlƒ‹ƒJƒŒƒbƒWEƒMƒƒƒ‰ƒŠ[^ƒOƒŠƒ“ƒlƒ‹
@@@uThe Emerging Imagev@ƒTƒXƒPƒnƒi”üpŠÙ^ƒnƒŠƒXƒo[ƒO
@@@uMore than meets the eyev@Deichtorhallen^ƒnƒ“ƒuƒ‹ƒO
2000 uOpen Ends: Artchitecture Hot and Coldv@ƒjƒ…[ƒˆ[ƒN‹ß‘ã”üpŠÙ
@@@uƒ”ƒFƒjƒXEƒvƒƒWƒFƒNƒgv@VEGA ‰ÈŠw‹ZpŒö‰€^ƒ”ƒFƒjƒX
@@@uRepresenting the Intangiblev
@@@@ƒtƒHƒgƒOƒ‰ƒtƒBƒbƒNEƒŠƒ\[ƒXƒZƒ“ƒ^[^ƒ{ƒXƒgƒ“
@@@uA decade of collectingv ƒtƒHƒbƒO”üpŠÙ / ƒn[ƒo[ƒh‘åŠw
@@@uFluid Flowv@ƒWƒF[ƒ€ƒXƒOƒ‰ƒnƒ€•ƒTƒ“ƒY‰æ˜L^ƒjƒ…[ƒˆ[ƒN
2001 u14ì‰Æ‚̌“WF–Ú•ƒA[ƒgƒAƒjƒ…ƒAƒ‹2000v@–Ú•‹æ”üpŠÙ^“Œ‹ž
@@@uBetween Light and ShadowF
@@@@@@@@@Photographs and Prints from the
Gary Bettis Collectionv
@@@@ƒ{ƒCƒVƒB[”üpŠÙ^ƒ{ƒCƒVƒB[
@@@uƒVƒƒƒbƒtƒ‹Fƒ|ƒ‰ƒƒCƒh‚Ö‚Ì‚U‚‚̃Aƒvƒ[ƒ`v@ƒ|ƒ‰ƒƒCƒhEƒMƒƒƒ‰ƒŠ[
2002 uGo on being, our blue star!v “Œ‹ž•xŽm”üpŠÙ^“Œ‹žAL“‡”üpŠÙ^L“‡
@@@uLends Landscapev ƒ{ƒXƒgƒ“”üpŠÙ^ƒ{ƒXƒgƒ“
@@@uFrom the Outside Inv ƒAƒCƒIƒ‘åŠw”üpŠÙ^ƒAƒCƒIƒƒVƒeƒB
2003 uConsuming Naturev ƒVƒJƒSŒ»‘ãŽÊ^”üpŠÙ^ƒVƒJƒS
@@@uHistory of Photographyv ƒ[ƒuEƒA[ƒgƒZƒ“ƒ^[iƒ”ƒ@ƒbƒT[‘åŠwj
@@@uDefining Moments | Two Centuries of Photographyv
@@@@ƒAƒbƒNƒ‰ƒ“ƒh”üpŠÙ^ƒ`ƒƒƒyƒ‹ƒqƒ‹
@@@uOASES“Wv ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
@@@u“ú–{ŽÊ^Žj“Wv@ƒqƒ…[ƒXƒgƒ“”üpŠÙ^ƒqƒ…[ƒXƒgƒ“
2004 uThe Altered Landscapev@ƒvƒŒƒ[ƒ“ƒe[ƒVƒ‡ƒ“EƒnƒEƒXEƒMƒƒƒ‰ƒŠ[^ƒJƒiƒ_
@@@u–Ú•‹æ‚Ì”üp@‚Q‚O‚O‚Sv
2005 uThe Altered Landscapev@ƒiƒVƒ‡ƒiƒ‹EƒAƒJƒfƒ~[ ^ƒƒVƒ“ƒgƒ“
@@@uArt Fair Tokyov “Œ‹ž‘ÛƒtƒH[ƒ‰ƒ€
@@@uSurfacev ƒ[ƒŒƒ“ƒXEƒ~ƒ‰[EƒMƒƒƒ‰ƒŠ[^ƒjƒ…[ƒˆ[ƒN
@@@uThe Ancient sound of the Imagevƒ[ƒ}‘ÛƒtƒFƒXƒeƒBƒoƒ‹
@@@@Fontana di Trevi, Instituto Nazionale per la Grafica ^ƒ[ƒ}
@@@u10 years anniversaryv ƒMƒƒƒ‰ƒŠ[Eƒtƒ‰ƒ“ƒ\ƒ-ƒYEƒpƒrƒI^ƒpƒŠ
@@@uƒ‚ƒmƒNƒ[ƒ€„lv@‘oƒMƒƒƒ‰ƒŠ[^“Œ‹ž
2006 uRobert Wood Johnson Gallery / vƒƒgƒƒ|ƒŠƒ^ƒ“”üpŠÙ^ƒjƒ…[ƒˆ[ƒN
@@@uPlacev@ŽÊ^ƒRƒŒƒNƒVƒ‡ƒ“ƒMƒƒƒ‰ƒŠ[A ƒjƒ…[ƒˆ[ƒN‹ß‘ã”üpŠÙ^ƒjƒ…[ƒˆ[ƒN
@@@uLes preintres de la vie modernev ƒ|ƒ“ƒsƒh[EƒZƒ“ƒ^[^ƒpƒŠ
@@@uRecent Landscape Photography: The Intimate and the Sublimev
@@@@ƒZƒ“ƒgƒ‹ƒCƒX”üpŠÙ
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